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	<title>Art through my eyes</title>
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		<title>CONCEPTUAL ART- A NOTE</title>
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		<pubDate>Mon, 13 Oct 2008 04:02:37 +0000</pubDate>
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		<description><![CDATA[  Touching conceptual pulse ,and realising the value of ideas in art   Conceptual  art were always trying to emboss  the discource on art and its functional terrain . the whole dilemma was  about the way of representation and the emerging thought  about ‘readymades’ [covering marchel duchamp’s devotions and intellectual exploration and dissection  of the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artinterpreting.wordpress.com&amp;blog=3226471&amp;post=21&amp;subd=artinterpreting&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Touching conceptual pulse ,and realising the value of ideas in art</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Conceptual<span>  </span>art were always trying to emboss<span>  </span>the discource on art and its functional terrain . the whole dilemma was  about the way of representation and the emerging thought<span>  </span>about ‘readymades’ [covering marchel duchamp’s devotions and intellectual exploration and dissection<span>  </span>of the history through his art works.</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">As means of the early writing of in whole books and documents ,the concept has elevated as twin sister [!] of the area idea and image . here for the<span>  </span>word idea, I will<span>  </span>find some orientation with Hegelian bricks . and it may be drag till into the metaphors</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">As possible they done [the veterans of conceptual art ]in to the world , conceptual doors were acting like a wings of a hopes in the art world . and they succeeded in a wide blending of various area of art .</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">In the beginning the , rhizomes like awesome Duchamp, Pollock and remaining buds in leaflets were didn’t<span>  </span>expected that what<span>  </span>will happen in the coming days </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Duchamp , were Concorde<span>  </span>in point with art and functional area, then for world the abstraction and conceptual<span>  </span>were very mystic and minor as a musical notes </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">The rejection and agony got mixed up in to a total lagging manner with these contemporary public , the spectator !</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Still conceptual remained as a form in a womb, wasn’t sure about their<span>  </span>nutrition to go with .</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">So , what could<span>  </span>happen ? as history said ,questioning and revolutionising entire structure and manhood [!]. art got elaborated with the existing conceptual<span>  </span>to Conceptual Art.</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Kosuth , Joseph , sol lewitt the perfect<span>  </span>conceptual <span> </span>labours , were coming to the scene with there authentic text and<span>  </span>very intence nature of their works with both minimal and detaled<span>  </span>images </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Spectators were just a tool there , they expected a lot in a field , they<span>  </span>expected rain </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">But Conceptual art was bit forward , it got flowered from the sky itself , they didn’t insisted or shouted or screamed this is the only art , they took in way that the only area to explode the word idea , </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">The spectators were in a hallucination with images , parallel to it the brother philosophy had great terrific changes in the whole way of looking ,taking ,putting ,representing</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Of if it [change ] happens in philosophy happens in philosophy it spines [spinal cord !] with world ,then in the real fruit &#8230;it s u ,,,, the spectator . </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Art was a happening in this era , art was the only hope with these mass changing world </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">The images and ideas</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">The ideas through images and locating and translocating in to minds .the space in to new space that was the real success of conceptual art and images</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Conceptual art being transformed in to a concorded point of a cyclone of the experimental at world.</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Almost<span>  </span>every great people got attracted with this new phenomena of art </span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;"><span style="font-family:Calibri;">Environmental artist ,Dadaist ,surrealist ,figurative ,minimal ,abstract <span> </span>and <span> </span>so on were in the list<span>  </span></span></span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">Sol le Witt were introducing the paragraph on conceptual art for<span>  </span>a stem to grow</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;">And also he were starting to indulge with the sentence on ‘conceptual art’.</span></span></p>
<p class="MsoNormal" style="margin:0 0 10pt;"> </p>
<p class="MsoNormal" style="margin:0 0 10pt;"> </p>
<p class="MsoNormal" style="margin:0 0 10pt;"> </p>
<p class="MsoNormal" style="margin:0 0 10pt;"><span lang="EN-IN"><span style="font-size:small;font-family:Calibri;"> </span></span></p>
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		<title>short characteristic study on nn rimzon&#8217;s sculpture and drawings</title>
		<link>http://artinterpreting.wordpress.com/2008/09/18/short-characteristic-study-on-nn-rimzons-sculpture-and-drawings/</link>
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		<pubDate>Thu, 18 Sep 2008 14:35:53 +0000</pubDate>
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			<content:encoded><![CDATA[<p>coming days&#8230;.</p>
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		<title>my works-sculptures</title>
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		<pubDate>Thu, 27 Mar 2008 19:22:59 +0000</pubDate>
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		<title>PHENOMENOLOGY</title>
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		<pubDate>Thu, 20 Mar 2008 21:02:21 +0000</pubDate>
		<dc:creator>naquashv</dc:creator>
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		<description><![CDATA[This article is about the philosophical movement. For other uses, see Phenomenology (disambiguation). Phenomenology has at least three main meanings in philosophical history: one in the writings of G.W.F. Hegel, another in the writings of Edmund Husserl in 1920, and a third, deriving from Husserl&#8217;s work, in the writings of his former research assistant Martin [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artinterpreting.wordpress.com&amp;blog=3226471&amp;post=4&amp;subd=artinterpreting&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div class="dablink">This article is about the philosophical movement. For other uses, see <a href="http://null/wiki/Phenomenology_%28disambiguation%29" title="Phenomenology (disambiguation)">Phenomenology (disambiguation)</a>.</div>
<p><b>Phenomenology</b> has at least three main meanings in <a href="http://null/wiki/Philosophical" title="Philosophical" class="mw-redirect">philosophical</a> history: one in the writings of <a href="http://null/wiki/G.W.F._Hegel" title="G.W.F. Hegel" class="mw-redirect">G.W.F. Hegel</a>, another in the writings of <a href="http://null/wiki/Edmund_Husserl" title="Edmund Husserl">Edmund Husserl</a> in <a href="http://null/wiki/1920" title="1920">1920</a>, and a third, deriving from Husserl&#8217;s work, in the writings of his former research assistant <a href="http://null/wiki/Martin_Heidegger" title="Martin Heidegger">Martin Heidegger</a> in <a href="http://null/wiki/1927" title="1927">1927</a>.</p>
<ul>
<li>For <a href="http://null/wiki/G.W.F._Hegel" title="G.W.F. Hegel" class="mw-redirect">G.W.F. Hegel</a>, phenomenology is an approach to <a href="http://null/wiki/Philosophy" title="Philosophy">philosophy</a> that begins with an exploration of <a href="http://null/wiki/Phenomena" title="Phenomena" class="mw-redirect">phenomena</a> (what presents itself to us in conscious experience) as a means to finally grasp the absolute, logical, ontological and metaphysical Spirit that is behind phenomena. This has been called a &#8220;<i>dialectical phenomenology</i>&#8220;.</li>
</ul>
<ul>
<li>For <a href="http://null/wiki/Edmund_Husserl" title="Edmund Husserl">Edmund Husserl</a>, phenomenology is &#8220;the reflective study of the <a href="http://null/wiki/Essence" title="Essence">essence</a> of consciousness as experienced from the first-person point of view.&#8221;<sup><a href="http://null/#cite_note-0">[1]</a></sup> Phenomenology takes the intuitive experience of <a href="http://null/wiki/Phenomena" title="Phenomena" class="mw-redirect">phenomena</a> (what presents itself to us in phenomenological reflexion) as its starting point and tries to extract from it the essential features of experiences and the <a href="http://null/wiki/Essence" title="Essence">essence</a> of what we experience. When generalized to the essential features of any possible experience, this has been called &#8220;<i>transcendental phenomenology</i>&#8220;. <a href="http://null/wiki/Edmund_Husserl" title="Edmund Husserl">Husserl&#8217;s</a> view was based on aspects of the work of <a href="http://null/wiki/Franz_Brentano" title="Franz Brentano">Franz Brentano</a> and was developed further by philosophers such as <a href="http://null/wiki/Maurice_Merleau-Ponty" title="Maurice Merleau-Ponty">Maurice Merleau-Ponty</a>, <a href="http://null/wiki/Max_Scheler" title="Max Scheler">Max Scheler</a>, <a href="http://null/wiki/Edith_Stein" title="Edith Stein">Edith Stein</a>, <a href="http://null/wiki/Dietrich_von_Hildebrand" title="Dietrich von Hildebrand">Dietrich von Hildebrand</a> and <a href="http://null/wiki/Emmanuel_Levinas" title="Emmanuel Levinas" class="mw-redirect">Emmanuel Levinas</a>.</li>
</ul>
<ul>
<li><a href="http://null/wiki/Martin_Heidegger" title="Martin Heidegger">Martin Heidegger</a> believed that <a href="http://null/wiki/Edmund_Husserl" title="Edmund Husserl">Husserl&#8217;s</a> approach overlooked basic structural features of both the subject and object of experience (what he called their &#8220;being&#8221;), and expanded phenomenological enquiry to encompass our understanding and experience of Being itself, thus making phenomenology the method (in the first phase of his career at least) of the study of being: <a href="http://null/wiki/Ontology" title="Ontology">ontology</a>.</li>
</ul>
<p>The difference in approach between <a href="http://null/wiki/Edmund_Husserl" title="Edmund Husserl">Husserl</a> and Heidegger influenced the development of <a href="http://null/wiki/Existential_phenomenology" title="Existential phenomenology">existential phenomenology</a> and <a href="http://null/wiki/Existentialism" title="Existentialism">existentialism</a> in <a href="http://null/wiki/France" title="France">France</a>, as is seen in the work of <a href="http://null/wiki/Jean-Paul_Sartre" title="Jean-Paul Sartre">Jean-Paul Sartre</a> and <a href="http://null/wiki/Simone_de_Beauvoir" title="Simone de Beauvoir">Simone de Beauvoir</a>. <a href="http://null/wiki/Munich_phenomenology" title="Munich phenomenology">Munich phenomenologists</a> (Johannes Daubert, <a href="http://null/wiki/Adolf_Reinach" title="Adolf Reinach">Adolf Reinach</a>, <a href="http://null/wiki/Alexander_Pf%C3%A4nder" title="Alexander Pfänder">Alexander Pfänder</a> in <a href="http://null/wiki/Germany" title="Germany">Germany</a> and <a href="http://null/wiki/Alfred_Sch%C3%BCtz" title="Alfred Schütz">Alfred Schütz</a> in Austria), and <a href="http://null/wiki/Paul_Ricoeur" title="Paul Ricoeur">Paul Ricoeur</a> have all been influenced. Readings of Husserl and Heidegger have also been crucial elements of the philosophies of <a href="http://null/wiki/Jacques_Derrida" title="Jacques Derrida">Jacques Derrida</a> and <a href="http://null/wiki/Bernard_Stiegler" title="Bernard Stiegler">Bernard Stiegler</a>.</p>
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		<title>interpretation</title>
		<link>http://artinterpreting.wordpress.com/2008/03/20/interpretation/</link>
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		<pubDate>Thu, 20 Mar 2008 20:00:14 +0000</pubDate>
		<dc:creator>naquashv</dc:creator>
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		<description><![CDATA[Language interpreting or interpretation is the intellectual activity of facilitating oral and sign-language communication, either simultaneously or consecutively, between two, or among three or more, speakers who neither speak nor sign the same source language. Functionally, interpreting and interpretation are the descriptive words for the activity; in professional practice interpreting denotes spoken language, while interpretation [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artinterpreting.wordpress.com&amp;blog=3226471&amp;post=3&amp;subd=artinterpreting&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><font color="#666699">Language <b>interpreting</b> or <b>interpretation</b> is the intellectual activity of facilitating oral and sign-language communication, either simultaneously or consecutively, between two, or among three or more, speakers who neither speak nor sign the same source </font><a href="http://null/wiki/Language" title="Language"><font color="#666699">language</font></a><font color="#666699">. Functionally, <i>interpreting</i> and <i>interpretation</i> are the descriptive words for the activity; in professional practice <i>interpreting</i> denotes spoken language, while <i>interpretation</i> denotes </font><a href="http://null/wiki/Translation_studies" title="Translation studies"><font color="#666699">translation studies</font></a><font color="#666699"> work. This important distinction is observed to avoid confusion between the interpreter and the client.</font></p>
<p><font color="#666699">Functionally, an <i>interpreter</i> orally converts a source language to a target language; likewise in sign language. The interpreter&#8217;s function is conveying every semantic element (tone and register) and every intention and feeling of the message that the source-language speaker is directing to the target-language listeners.</font></p>
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<p><font color="#666699">more </font></p>
<p><font color="#ff9900">my other pages in wordpress</font></p>
<p><font color="#666699"><a href="http://artpsycho.wordpress.com/">http://artpsycho.wordpress.com</a></font></p>
<p><font color="#666699"><a href="http://womenred.wordpress.com/">http://womenred.wordpress.com</a></font></p>
<p><font color="#666699"><a href="http://philosophytree.wordpress.com/">http://philosophytree.wordpress.com</a></font></p>
<p><font color="#666699"><a href="http://artculturalheritageofindia.wordpress.com/">http://artculturalheritageofindia.wordpress.com</a></font></p>
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<p><font color="#ff9900"><strong>MY WEB SITES</strong></font></p>
<p><font color="#666699"><a href="http://naquashhome.googlepages.com/">http://naquashhome.googlepages.com</a></font></p>
<p><font color="#666699"><a href="http://naquashv.goolepages.com/">http://naquashv.goolepages.com</a></font></p>
<p><font color="#ff6600">flickr accounts</font></p>
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		<title>LINKS</title>
		<link>http://artinterpreting.wordpress.com/2008/03/20/hello-world/</link>
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		<pubDate>Thu, 20 Mar 2008 19:58:04 +0000</pubDate>
		<dc:creator>naquashv</dc:creator>
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		<description><![CDATA[LINKS UK PUBLIC MUSEUMS AND GALLERIES thebritishmuseum.ac.uk The British Museum, London courtauld.ac.uk Courtauld Institute of Art artandarchitecture.org Courtauld Institute of Art collections online designmuseum.org The Design Museum dulwichpicturegallery.org.uk Dulwich Picture Gallery hayward.org.uk The Hayward Gallery, London gilbert-collection.org.uk The Gilbert Collection,Somerset House museum-london.org.uk The Museum of London nationalgallery.org.uk The National Gallery, London natgalscot.ac.uk National Galleries of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artinterpreting.wordpress.com&amp;blog=3226471&amp;post=1&amp;subd=artinterpreting&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div class="dablink">LINKS</div>
<p><span class="Contactheading">UK PUBLIC MUSEUMS AND GALLERIES</span></p>
<p><a href="http://www.thebritishmuseum.ac.uk/" target="external">thebritishmuseum.ac.uk</a><br />
<span class="linkdesc">The British Museum, London</span><br />
<a href="http://www.courtauld.ac.uk/index.html" target="external">courtauld.ac.uk</a><br />
<span class="linkdesc">Courtauld Institute of Art</span><br />
<a href="http://www.artandarchitecture.org.uk/" target="external">artandarchitecture.org</a><br />
<span class="linkdesc">Courtauld Institute of Art collections online</span><br />
<a href="http://www.designmuseum.org/" target="external">designmuseum.org</a><br />
<span class="linkdesc">The Design Museum</span><br />
<a href="http://www.dulwichpicturegallery.org.uk/" target="external">dulwichpicturegallery.org.uk</a><br />
<span class="linkdesc">Dulwich Picture Gallery</span><br />
<a href="http://www.hayward.org.uk/" target="external">hayward.org.uk</a><br />
<span class="linkdesc">The Hayward Gallery, London</span><br />
<a href="http://www.gilbert-collection.org.uk/" target="external">gilbert-collection.org.uk</a><br />
<span class="linkdesc">The Gilbert Collection,Somerset House</span><br />
<a href="http://www.museum-london.org.uk/" target="external">museum-london.org.uk</a><br />
<span class="linkdesc">The Museum of London</span><br />
<a href="http://www.nationalgallery.org.uk/" target="external">nationalgallery.org.uk</a><br />
<span class="linkdesc">The National Gallery, London</span><br />
<a href="http://www.natgalscot.ac.uk/" target="external">natgalscot.ac.uk</a><br />
<span class="linkdesc">National Galleries of Scotland, including The National Gallery of Scotland, Scottish National Portrait Gallery, Scottish National Gallery of Modern Art and others</span><br />
<a href="http://www.npg.org.uk/live/index.asp" target="external">npg.org.uk</a><br />
<span class="linkdesc">The National Portrait Gallery, London</span><br />
<a href="http://www.photonet.org.uk/" target="external">photonet.org.uk</a><br />
<span class="linkdesc">The Photographers&#8217;s Gallery, London</span><br />
<a href="http://www.royalacademy.org.uk/" target="external">royalacademy.org.uk</a><br />
<span class="linkdesc">Royal Academy of Arts, London</span><br />
<a href="http://www.sciencemuseum.org.uk/" target="external">The Science Museum</a><br />
<span class="linkdesc">The Science Museum, London</span><br />
<a href="http://www.serpentinegallery.org/" target="external">serpentinegallery.org</a><br />
<span class="linkdesc">The Serpentine Gallery, London</span><br />
<a href="http://www.tate.org.uk/" target="external">tate.org.uk</a><br />
<span class="linkdesc">Tate, London and all Tate sites</span><br />
<a href="http://www.vam.ac.uk/" target="external">vam.ac.uk</a><br />
<span class="linkdesc">The Victoria and Albert Museum, London</span><br />
<a href="http://www.liverpoolmuseums.org.uk/walker" target="external">liverpoolmuseums.or.uk/walker</a><br />
<span class="linkdesc">The Walker Art Gallery, Liverpool</span><br />
<a href="http://www.whitechapel.org/" target="external">whitechapel.org</a><br />
<span class="linkdesc">The Whitechapel Gallery, London</span><br />
<a href="http://www.24hourmuseum.org.uk/" target="external">24hourmuseum.org.uk</a><br />
<span class="linkdesc">UK Museum listings sponsored by The Department for Culture</span></p>
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